Tuesday, October 15, 2013

Funds for iOS lets you get a glimpse of where your money goes, tracks what you're saving

Funds for iOS lets you get a glimpse of where your money goes, track what you're saving

Funds for iOS is a minimalist budget app that allows you to input how much you earn and how much you spend. From there, you can see a simple breakdown of what percentage of your income goes to different expenses as well as how much you're saving each month.

There isn't anything complicated or advanced about Funds but it does effectively provide an overall picture of your financial situation. Once you've told Funds how much you make and what your fixed expenses each month are, you're given an idea as to how you're doing. The color scheme will even change given how much you've got left to budget for the rest of the month.

Sliding to the right over any expense or income item will delete it from Funds. Slide to the left and you can quickly view what percentage of your overall income is being allocated to that type of expense. Tapping the menu button in the bottom right will show you a graph view of the same data.

Funds isn't over complicated by any means but what it can do is give a good overall snapshot of your current financial situation. That means you can make some educated decisions moving forward about what you should and can cut back on to save more money. If you're having issues saving money or can't quite pinpoint where your money is going, Funds can help you figure that out.


    






Source: http://feedproxy.google.com/~r/TheIphoneBlog/~3/mg_dGZXPFv4/story01.htm
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Allianz in exclusive talks with IBM on IT outsourcing

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Source: http://news.yahoo.com/allianz-exclusive-talks-ibm-outsourcing-145132195--sector.html
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TUF 18: How to break a bat with one kick

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Source: http://mmafrenzy.com/94881/tuf-18-how-to-break-a-bat-with-one-kick/
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9 Month Stretch (9 mois ferme): San Sebastian Review




The Bottom Line


A visually inventive but throwaway odd couple comedy that happily revels in its own crowd-pleasing vulgarity.




Venue


San Sebastian Film Festival (Pearls)


Director


Albert Dupontel




A disposable, crowd-pleasing black comedy which gets its laughs from cartoonishly puncturing the pomposities of the French legal system, 9 Month Stretch has no higher ambitions than to raise a laugh, and mostly it succeeds. A solid cast, lots of attention to the visuals and a defiantly unsophisticated sense of humor are the hallmarks of Albert Dupontel’s follow-up to The Villain. There is some remake potential here, but only the germ of the idea could be successfully transplanted; a decent showing at home following its Oct. 16 release is likely to be followed by limited screenings in Francophone territories.


Ariane Felder (Sandrine Kimberlain) is an uptight, ambitious, defiantly single (“children act out a tragedy written by their parents”) court judge, who unwillingly gets dragged into a New Year party. Six months later, and Ariane is pregnant with no idea about how is happened or who’s responsible. Suspecting her leering colleague Godfrey (Philippe Uchan), Ariane takes a lump out of his head with a golf club so as to test his DNA, the first of a series of gags involving heavy objects and the hapless Godfrey.


Surveillance cameras eventually reveal, in a nice comic scene featuring a one-stop appearance by Bouli Lanners, that on the night in question Ariane slept with Bob Nolan (director Dupontel), a slow-witted criminal known as the Eye Gobbler. Eventually Ariane and Nolan find themselves locked in her flat together, with him threatening to reveal the truth unless she agrees to defend him in his forthcoming court case.


Subtle it is not. Much of the comedy is gore-based or otherwise tasteless (see Nicolas Marie as Nolan’s hopeless, stammering lawyer or a particularly bloody scene featuring a ham-fisted forensic scientist), and though the film has multiple targets, mainly the hypocrisies of the French legal systems, its arrows are never barbed.


On the visual side it’s like Amelie on steroids, as through the first half hour the camera cartoonishly sweeps, circles, zooms and pans as though afraid of pausing for even a moment as it goes in search of the next sight-gag. But there is plenty of gratifying visual wit mixed in, too: a flashback sequence showing Nolan’s supposed attack on an old man is done very smoothly indeed, as is the computer trickery involving DNA readings: technically, this is very accomplished fare.


The cast, also required to play it in the spirit of Tex Avery, is largely reprised from The Villain, in which the actor used his own chameleon-like features – his face can switch from threatening to eye-twinklingly charming in an instant – to similarly good effect. Here the ham-ometer is turned up to full as characters who in some cases seem to have been chosen on the basis of their rubbery features duly deliver.


Terry Gilliam, from whose own work Stretch borrows many of its visual cues, whilst lacking Gilliam’s moral darkness – one scene features a lopping-off of limbs that’s pure Python - pops up as a behind-bars psychopath. Jean Dujardin (acclaimed lead in The Artist) also briefly cameos as a translator.


Production: Wild Bunch, France 2 Cinema
Cast: Sandrine Kiberlain, Albert Dupontel, Nicolas Marie, Philippe Uchan, Bouli Lanners, Christian Hecq    
Director, screenwriter: Albert Dupontel
Producer: Catherine Bozorgan
Director of photography: Vincent Mathias
Production designer: Pierre Queffelean
Costume designer: Mimi Lempicka
Editor: Christophe Pinel
Music: Christophe Julien
Sales: Elle Driver
No rating, 82 minutes


Source: http://feedproxy.google.com/~r/thr/reviews/film/~3/1brUz5kpEis/9-month-stretch-9-mois-648181
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Monday, October 14, 2013

'Menstrual Man' Had An Idea To Help Indian Women






Arunachalam Muruganantham installs his machine in a village in Chhattisgarh, India.



Amit Virmani


Arunachalam Muruganantham installs his machine in a village in Chhattisgarh, India.


Amit Virmani


Arunachalam Muruganantham had his light bulb moment when he was 29 years old, and holding a sanitary napkin for the first time.


Examining the cotton pads he was buying as a gift for his new wife, the Indian entrepreneur realized that the multinational company that produced them was probably spending cents on raw materials, and making a huge profit.


Women in Muruganantham's village in Tamil Nadu, including his wife, would often forego these expensive pads for rags they used repeatedly through their cycles. Even more uncomfortably, sometimes they utilized husks or leaves during menstruation.


The exorbitant cost of the foreign-made pads cut into their families' meal budget. Given a choice between fresh pads and fresh milk, they chose the latter.


A new movie, Menstrual Man, documents how, at great personal cost, Muruganantham created a cheap machine to address persistent menstrual hygiene challenges for rural women on the subcontinent. But, as director Amit Virmani points out, the product's traction may have more to do with social entrepreneurship than with health concerns.


Women whose self-help groups buy Muruganantham's machine can make more than a dollar a day — close to a global poverty line — selling the pads.


Sanitary napkins from global companies are in Indian stores for about $1.50 for an eight-pack. The ones from Murugantham's machine wholesale at about 25 cents for an eight-pack; the women's groups can sell them at whatever retail price they choose, retaining the profit. The cost of the machines ranges from about $1,200 to $6,000, depending on the features.


"The primary impulse when people are struggling to make a living is either, 'How can I make more money?,' or 'How can I save more money?'," Virmani said. "If you address those needs, your innovation stands a better chance to be adopted, to spread."



The machine, which Muruganantham began to research in 1998, has three stages of production. Inside a stainless steel container, a motor fluffs cellulose to prepare it as the core material for the napkins. Hand- and leg-operated tools are used to form the core of the napkin. A heat press is used to seal and apply the outer cover to the napkin. It's sterilized and packaged, and then ready to sell.


Muruganantham's invention was already spreading across India when Virmani found him last year, with 500 machines sold and an innovation award from India's president under the entrepreneur's belt. But getting there had been all uphill.


Once Muruganantham had prototyped the machine, he needed testers. But his wife and other family members refused, as did girls at the nearby medical college. So Muru, as Virmani calls him, decided to become a tester himself.


He filled bottles with animal blood and attached tubes that would press the blood into his drawers as he biked and walked around town. His rural village shunned him, viewing this with suspicion. And his wife's suspicions — that he was chasing medical college girls around town for something other than product testing — ended his marriage.


Still, for six years, Muruganantham pressed on (yup, pressed) — and now more than 1,000 of his machines have been sold in India. There's also been global interest in replicating the model, from Afghanistan to Rwanda.


Virmani said he attributes Muruganantham's success to the inventor's understanding of his core audience, starting with the rudimentary nature of the machine. "It's wooden, and it's got pedals where he could have had motors," Virmani said.


"He knows how to motorize the damn things, but the more complicated you make the machines, at some point they'll break down," Virmani said. "The way he's engineered it, it's pretty much something that (the rural women) can repair themselves, and they don't have to keep paying for servicing."


Muruganantham says he wants to see India become a "100 percent sanitary napkin country" in his lifetime.


As for Menstrual Man, it's on the festival circuit, and will be available on iTunes in January.


Source: http://www.npr.org/blogs/alltechconsidered/2013/10/14/230195875/menstrual-man-had-an-idea-to-help-indian-women?ft=1&f=1008
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Saturday, October 12, 2013

Jupiter-bound craft running normally again

FILE - This 2010 artist's rendering depicts NASA's Juno spacecraft with Jupiter in the background. NASA's Jupiter-bound spacecraft will swing by Earth for one last visit Wednesday Oct. 9, 2013 before speeding to the outer solar system. Wednesday's flyby allows the Juno spacecraft to gather the momentum it needs to arrive at Jupiter in 2016. (AP Photo/NASA/JPL, File)







FILE - This 2010 artist's rendering depicts NASA's Juno spacecraft with Jupiter in the background. NASA's Jupiter-bound spacecraft will swing by Earth for one last visit Wednesday Oct. 9, 2013 before speeding to the outer solar system. Wednesday's flyby allows the Juno spacecraft to gather the momentum it needs to arrive at Jupiter in 2016. (AP Photo/NASA/JPL, File)







(AP) — Scientists say NASA's Jupiter-bound spacecraft that looped around Earth to catapult to the outer solar system, is operating normally again.

The Southwest Research Institute, which leads the mission's science operations, said Friday that Juno is out of "safe mode." That's a state a spacecraft is programmed to go into when it senses something is wrong.

Juno hit a snag earlier this week after it flew past Earth to increase its speed to barrel beyond the asteroid belt to Jupiter.

Despite the problem, scientists say Juno is on target to slip into orbit around Jupiter. It's expected to arrive in 2016.

Juno was launched in 2011 and flew beyond the orbit of Earth's closest planetary neighbor, Mars, before looping back toward our home planet for a quick visit.

Associated PressSource: http://hosted2.ap.org/APDEFAULT/b2f0ca3a594644ee9e50a8ec4ce2d6de/Article_2013-10-11-US-SCI-Journey-to-Jupiter/id-4c94d398e65d470c973ea7767f311c7d
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Thursday, October 10, 2013

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